Friday, January 24, 2014

JAI HO - Achchi picture bani hai, sirf akele mat dekho instead 3 logon ko batao aur unn 3 logon ko ek ek karke 3 aur logon ko Jai Ho dekhne ke liye kaho.


Story -

Jai Ho is the story of Jai Agnihotri, an ex army man who tries to help people & serve the nation even without the uniform & tries to spread his simple yet effective thought of the help chain - no thank you instead help 3 people in need & spread the chain. For every positive action comes an evil reaction & how Jai tackles the problems created by the evil men in the society forms the story of Jai Ho. Will that simple thought prove effective? Will the ONE COMMAN MAN make the difference? Should watch that on the big screen.

Script Analysis -

Jai Ho is the adapted version of Telugu superhit film Stalin. The script for most of the part is very loyal to the original version & the biggest difference is that Jai Ho is the simplest version of the hard hitting Stalin. It's applaudable that the very thought which is the soul of the film is conceived in a very simple way unlike the Telugu original where it happens through an heart touching real life incident instead Jai Ho writers follow the path which Pay It Forward followed where the helping 3 people thought is conceived by a boy for his class assignment. This very concept was beautifully captured since a "thought" becomes important & not how is that thought born. The first half moves in a decent pace concentrating on the social issues until the interval impact. Well it's the best part of the movie so no wonder people are applauding it with claps all over. Second half takes the commercial path yet holding on to the simplicity of the narration of the first half & the hero-villain's first face/off happens here. The pace here gets slow down a bit while the performances & Salman's shirtless act makes up for it.

Performances -

Salman Khan is in his best form & he outperforms his last 5 performances. He's roaring like never before, he's at his best in the emotional sequences & he's at ease in the comic scenes which are not in his trademark style. It's a toned down performance from him except in the action scenes & his shirtless act without any graphics & stuff earned the kind of response which was similar to all his previous 5 blockbusters combined.

Daisy Shah has limited scope, she's a good dancer so all her talent has been limited to the songs. Tabu gives a matured performance. Danny Denzongpa is very good as the villain. Sana Khan leaves the mark in her short negative role. The new villain guy who played her brother showed much promise without many dialogues. Santosh Shukla enters with a menacing look, wins with his comic expressions & leaves a mark during the climax. Mukul Dev is getting typecasted. Nadira Babbar plays a typical Bollywood mother & is passable. Naman Jain is very good as Salman's nephew. Pulkit Samrat gives an honest performance. Yash Tonk & Ashmit Patel share screen space along with Salman as his friends & haven't tried anything above their limits/ability. Genelia Deshmukh is superb in her cameo. Aditya Pancholi & Sharad Kapoor play the forgettable baddies. The man who played the drunkard & Mahesh Manjrekar were first rate.
Then there's a load of actors who are just in for cameos, Suniel Shetty, Tulip Joshi, Nauheed Cyrushi, Vatsal Seth just add into the cast members. Suniel Shetty gets to mouth a dialogue which gets the whistles but that's about it.

Other Departments -
Music lacked the punch which is uncommon for a Salman film. But they don't play the spoilsport although the editing of Baaki Sab First Class Hai was not good. Action was very well choreographed by Anl Arasu & Ravi Varma. They chose to add more of a realistic feel by including all the biting that normally happens when a normal person is fighting on the streets & they didn't let it spoil the usual Salman's action fun. Editing was good in parts especially could've made it better in the first half although it's the second half that loses the pace & the clever editing shows how it's been managed. Cinematography was good.

Direction, Sohail Khan finds his form & tries hard to make a loyal remake yet leave his touch which is noticeable in the way of handling of the emotional scenes. But he does go unstable in the second half but again the emotional outburst scenes covers it very well. Production values could've been better.

Positives -
1. A honest script & the message the film carries.
2. A honest & effective performance by Salman Khan. He's dedicated throughout & that's just feast to the eyes.
3. Strong interval point, worthy of claps.
4. Genelia's track.
5. The post interval scene where the first face/off happens between Salman & Danny.

Negatives-
1. The simplistic approach tends to lose it's steam & doesn't gel with the film in the second half.
2. The Tanker scene, well people whistled & cheered but the right after that particular scene ended, majority of the audience realized that it was pointless.
3. Lack of hero worshipping, people like me who have watched Stalin would agree to this.
4. The death of Mukul Dev lacked the impact the bike chase scene had created. That particular scene in Telugu was extremely appreciated where Chiranjeevi cleverly blasts the petrol tanker.
5. The chain formation gets sidelined & more emphasis is made on preaching which could've tackled otherwise.
6. Salman Khan's entry lacked the punch no matter how much whistles it garnered. Stalin's entry though inspired by Tamil film Dheena which itself was inspired by Jurassic Park where the dinosaur's eyes are shown through the hole in the car's window & that's how they showed Chiranjeevi in Telugu implying him to be a dinosaur. That implications was not followed which bats for my previous point that Jai Ho needed more hero worshipping.

Business Prospective -
The film is a winner for it's producer Sohail Khan even before it's release, For Eros to make money the film has to cross 120cr which it will & anything more than 120cr will allow both the producers i.e. Sohail Khan & Sunil Lulla to share the profit. The movie is sold to the distributors on minimum guarantee basis. Once the movie crosses that 140-145cr mark the movie will fall into the profit making zone for it's distributors since from here onwards their profit earnings will begin (I am talking about the producers who paid the token amount on minimum guarantee basis).

Cinema Prospective -
Film pleases the Salman fans, film appeals to the general audience too, few will over exaggerate the film, few will try to bring it down, this will keep happening. With these facts & all the Salman taking his shirt off moment, don't forget the good message it passes for the humanity. Jai Ho's true victory lies in that & not in those box office numbers which anyway would prove Jai Ho a success.

My Rating -
As a fan - 4/5 because it's always feel superb to see Salman on screen but it goes beyond that when Salman actually gives a dedicated performance.
As an audience - 3.5/5 the movie with all the good intentions, honest performances, entertainment factor follows the simplistic path which just doesn't gel well after some point.
As the one who is biased towards Stalin - 3/5 because I wanted more hero worshipping.
Few days back one of the Salman fan had asked whether Salman will just wave his hand in the climax & how he wouldn't be able to like it, my response, it was the best thing when Salman raised his hand & goes onto show the 3 fingers implying help 3 people. Special applause just for that.

And I would thank the audience who danced for the Jai Ho title track & till I reached the parking lot they were screaming Jai Ho, Salman Khan ki Jai Ho !!! As a fan, I got the thing which I waited for 13 months for that response & sorry I kept my eyes on the screen throughout the film so didn't notice you people dancing for the other songs.

Saturday, January 11, 2014

1: Nenokkadine Movie Review.


Okay, let me put this out first, 1:Nenokkadine has made me proud to be a fan of Mahesh Babu.
Second, if this movie fails then the only reason for it is because it's a superb film.
Nothing was revealed about the story of the film till it released today, all the speculations were rotating around 1:Nenokkadine being a movie in the lines of The Bourne Series. Well with the release of the film, the movie has given all the answers to those speculations.

Story -
Mahesh Babu plays a rockstar, who keeps saying his parents are killed by 3 guys. Mahesh Babu remembers those 3 guys but the glitch is his psychological problem. He's suffering from the psychological disorder which makes him not realize what is real between reality & imagination. He constantly imagines to kill those 3 guys taking revenge on them but in reality he's losing his mental balance because of that. Nobody believes his story & every proof points out that he's imagining these things because of the trauma of being an orphan & has created imaginary characters of mom & dad followed by the 3 villains, who've killed his parents something which consoles Mahesh's inner mind on why he's an orphan.
Is he really an orphan? Is he really imagining people or do they exist for real? If his imagination is real then how will he kill the bad guys without knowing which is real & which is imagination? Or has he killed them already for real & thinks it to be his imagination? The questions never end until you watch the film & that's the beauty of it.
Take a bow Sukumar (Aarya, Aarya 2 fame) for coming up with this terrific narration. People tend to make routine films & very few dare to tell complex stories. Then comes the another kind of directors who dare to tell the simplest of stories in the most complex possible way creating ample opportunity for the actors to perform & to explore the direction skills of themselves. Sukumar & his movie falls into that rare breed.
I don't think this is some huge twist which shouldn't be revealed because despite that the movie takes the audience on for a ride with excellent performances especially by Mahesh Babu who gets to underplay his role to perfection with multi-layers in his characterization. He gets to play an angry man searching for the bad guys, also gets to play out his innocent part when he's revealed that everything he thinks is his imagination.
The dialogues are top notch despite lack of punch dialogues which was extremely unnecessary for a film like this. The dialogue where Mahesh tells the heroine "may be love isn't powerful as fear. Because the fear of watching my parents killed, the fear of being killed by those 3 guys & the fear of never succeeding in killing them has made me never forget the faces of those 3 people & due to that fear, the feeling of touch of my mom, the love of my dad has lost. That's why I guess I don't remember the faces of my parents". This dialogue alone speaks wonders about the film.
And the last speech "we are civilized, moderinized & globalized. The civilization dies when the human being die of hunger & for every 3 seconds a human being dies out of hunger in this world...."
Not going to reveal what & why the last dialogue was but shared simply to give a glimpse of how this film is beyond a revenge flick but how much brilliant it is a psychological thriller.

Performances -
Mahesh Babu has outperformed all his previous performances. This is his career best performance. Kriti Sanon is gorgeous & also performs too, a rare find in recent times. Prince Gautam (real life son of Mahesh Babu) plays the younger version of Mahesh & yes, 15-20 years from now we'll have a superstar. Nasser, Kelly Dorji & Pradeep Rawat are good in their respective roles. It's good to have a strong villain role to be written like this. Posani Krishna Murali provides some comic relief in an otherwise serious flick. Sophie Chaudhary sizzled in the item song.

Plusses -
1. The initial 15 mins of the film.
2. Few lighter moments between Mahesh & Kriti Sanon where she plays with his psychological disorder.
3. The fight sequence before the interval.
4. Extraordinary interval scene & twist.
5. The two superb action scenes in the second half, one involving a bike chase & the other in the parking lot.
6. The 3 major twists in the last 15 mins of the film.
7. The climax emotional acting by Mahesh Babu.

Minuses -
1. Film doesn't appeal to the masses. Not used to this type of story telling.
2. The songs. Barring 1 song in the first half rest has no impact whatsoever & for a thriller songs are not needed.
3. The item song of Sophie Chaudhary, yes she's hot & if she had concentrated in southern films she could've been an successful heroine but doesn't change the fact that the item song appears to just please the masses.
4. The runtime. Well ofcourse it's just 2hrs 24mins & it's the songs which makes the film seem little dragged.

Will this film work?
This is what I witnessed in my multiplex. The entire Mahesh & Kriti's episode in the first half kept the audience laughing constantly. The interval scene the majority in the multiplex clapped. The scene will keep you in awe of shear thinking of the writers & the way Mahesh has performed. During the interval, being contempt with the movie's first half I went to my friends & asked them how are they feeling. One group said they're loving it, second gang said it's ok-ok, they feel like watching Kannada movie Lucia which also dealt with not knowing what's real & unreal but the last gang who are avid moviegoers or to say pakka mass telugu audience were having their hands over their head & say "Yuk what a worst film man, one among them did walk out too".
As far the movie lover in me goes, finally I've got a Telugu film to critically praise & a movie from Mahesh Babu after 9 years to feel proud. Not many actors get to play such performances, it was Athadu in 2005, after that I've liked his films but it's Nenokkadine which challenges him to perform in a way which as a fan I feel proud of.

Recommendation - Watch it, Telugu film industry has come up with an unique thriller film.

Tuesday, December 24, 2013

Jai Ho Music Review



1. JAI JAI JAI JAI HO (Title Track)
http://www.youtube.com/watch?feature=player_embedded&v=bBaM2WmtIrw
Singers - Wajid, Armaan Malik
Music Composer - Amal Malik
This number is a choreographer's delight as well as DJ's. It gels completely with the soul of the film & most importantly it's youthful. No doubt in Amal Malik & Armaan Malik being roped in. The lyrics are catchy, insaniyat ki raah pe chalo, lets their be beat & let their be faith aur mere sang kaho, Jai Ho. It's a wonderful composition with lots of variations.
Rating - 3.5/5

2. BAAKI SAB FIRST CLASS HAI
Singer - Wajid
Music Composer - Sajid-Wajid
The song has been much talked about. The song has heavy lyrics. The video song has had it's impact already, it's the kind of song which takes time to grow on you. An average fare because of the heavy lyrics & the type of dance number it is made to be.
Rating - 2.5/5

3. TERE NAINA MAAR HI DAALENGE
Singers - Shaan, Shreya Ghoshal & Shabab Sabri
Music Composer - Sajid-Wajid
This is a typical Bollywood romantic number. It's in the same lines of Tere Mast Mast Do Nain. Some will miss Rahat Fateh Ali Khan but Shaan's voice grows on you the moment he sings Qaatilana. It has a classical touch & something which listeners have been related to with Dabangg & Dabangg 2. Shreya Ghoshal's voice is heavenly. It is a soft number, composition is good but it's resembles a lot with the previous composition in the same style.
Rating - 3.5/5

4. PHOTOCOPY
Singers - Himesh Reshammiya, Keerthi Sagathia & Palak Muchhal
Music Composer - Sajid-Wajid
This starts with Keerthi Sagathia's voice, setting up the mood straight away. This is a composition for the masses. Not something that would appeal for me, both music as well as lyrics. Himesh tries something different from his usual self.
Rating - 2/5

5. TUMKO TOH AANA HI THA
Singers - Armaan Malik & Marianne D'Cruz
Music Composer - Amal Malik
As a fan, I'm curious how this voice would suit Salman Khan but otherwise, this song is a chartbuster. Superbly composed romantic number & the lyrics are well written, ofcourse it's composed by Amal Malik so it's targeted towards the younger generation. Armaan Malik is a singer to watch out for. Lovely number this is & all it makes you say is "Because I Love You, I Love You Till The End".
Rating - 3.5/5

6. NAACHO RE
Singer - Ujjayinee
Music Composer - Devi Sri Prasad
DSP is back big time. Here's the second chartbuster from the album. I expect this one to be the introduction of Daisy Shah, she's an awesome dancer after all & no wonder if she's introduced with this music number. This is blend of folk, classical & western beats, who else to achieve this other than DSP.
Rating - 3.5/5

The rest 3 are the remix versions of Love You Till The End, Photocopy & Baaki Sab First Class Hai which I won't be reviewing. It will be either good or just be a filler for the album.

My overall rating - 3.5/5

Dhoom 3 - Yeh Bande Ne Toh Dhoom Macha Hi Diya.


Story - Jackie Shroff runs the famous The Great Indian Circus. He has taken lots of loan from the Western Bank of Chicago who are trying to confiscate his property. When they don’t listen to his pleadings he decides to take his life which angers his son Sahir played by Aamir Khan who is motivated to bring down the entire bank. Will Aamir succeed in his plans & how will the cop-duo Abhishek & Uday try to stop Aamir forms the rest of the story.
The Film - Well the movie’s screenplay has been neatly woven. The first few minutes is completely dedicated to form the backbone of the entire film, Jackie Shroff & Aamir’s childhood. This firmly prepares the audience to be ready for what’s there in the next 170 odd minutes. After the initial introduction to the main characters, Aamir Khan makes a grand entry amidst several dollar bills, well outside the screen people showered their appreciation with loud cheers. The introduction achieves what was expected & takes Dhoom 3 to a whole another level compared to what was achieved by its prequels. After this the desi-cops gets introduced, the director chose to go all Dabangg for the desi-fight which looked little dull mainly due to the top class stunts which was shown just few minutes earlier. Then Katrina Kaif makes her entry & she just steals the show with her acrobatic moves & a sensuous striptease. Without wasting more time in introducing the characters, the director gets into business straightaway. The pace is so fast that it’s only the high entertainment that speaks here. The first half ends with a superb twist (although it’s quite easy to figure it out) yet the twist was completely effective.
The second half starts trying to balance it out from where the first half ended. To be frank, the romance angle for Aamir & Katrina was completely half-baked but Vijay Krishna Acharyaseemed to have learnt from his previous mistake & cleverly turns the entire love story to be told from Aamir’s point of view while creating ample opportunity for Aamir to prove his acting prowess. There’s not a single dull moment in the entire romance track because of the enduring performance by the lead star. At this point, it completely becomes a one man show with Aamir overshadowing Abhishek & Uday where their characters struggle to get enough screen space. But the writers had reserved the best for the last, while the second half tends to lose its pace, it’s the smaller twists & ofcourse entertainment quotient that takes the film a notch higher enough to match the rollicking first half. The entire pre-climax episode justifies the long run time & the impact of the high-octane chase scenes in the pre-climax support big time in building the climax.
Performances - It’s Aamir Khan’s show all the way. He is at it’s best, be it the bike stunts, tap dancing, the acrobats, the romance or the dramatic scenes. He just showed why he’s among the best. Abhishek Bachchan repeats his Jai act very confidently. Though the screen time is low he makes full out of it. Uday Chopra, I felt some of his scenes were edited out, well it turns out to be in the best interest & it did pay it off. He’s responsible for the lighter moments in the film. Katrina Kaif shines in her role. It’s not an author-backed role so all the concentration was on her looking the best & giving her the best dance moves. She just proved why she’s one of the best dancer-heroines in Bollywood. Jackie Shroff does his part with conviction, the opening act has a lot of contribution from him & the kid, Siddharth NigamTabret Bethell was hardly present in the film, like I said, the scenes involving her & Uday might have been edited out.
Techincal Department - Dhoom 3 is a visual delight. Full marks to the cinematographers & the vfx team. The action is top class. Dhoom 2 lacked bikes whereas Dhoom 3 makes the best out of the bikes. Music gells well with the film’s mood. Screenplay was not great but the writers cleverly induced entertainment in high doses. With the first half revealing the main twist, there was nothing much to hold on in the second half as far as story goes, the way the movie held up on its own without being a drag, the credit goes to the director & his hard work shows in the second half.
Final Words - Don’t miss this film, watch it for its shear entertainment.

Krrish 3 - There goes another superhero film from India which ends up being just another “attempt”.


Krrish 3 - It doesn’t hurt to have a wee-bit of innovation added.
The story is very simple, there’s a bad guy who wants to do way too many bad things just because he’s a super intelligent evil scientist in a superhero flick & asusual the superhero’s job is to stop him at any cost.
First half - The movie’s screenplay is more like straight onto your face. The writers make it a point to deliberately feed the audience what they’re trying to show in the film, no matter how simple it is. Here, papa Rohit stays himself but also fills in the shoes of Rekha’s role to fill that void of “Sentiment”. It starts with the introduction of the villain where he clearly explains his intentions. Then it shifts towards the current day scenario of our superhero & his marital life. Ofcourse it’s followed with our superhero’s actual life that is fighting crime & saving people. The pace is extremely slow since there’s nothing much to tell in the screenplay here. Pre-interval portions succeeds in creating some interest among the audience.
Second half - Post interval the movie dips further in it’s pace but few interesting twists & episodes are added here. It was nice to see the inspirations taken from many Hollywood films didn’t affect the film from being desi at heart. Here, the performances gets more effective adding fuel to the slow pace. The events that leads to the climax & the entire climax itself is almost effective but the vfx lacks that punch to call it one of a kind or even a landmark. The climax tends to be dragged unnecessarily which hinders it’s impact very badly.
Performances Hrithik Roshan is asusual top-notch. He steals the show as Rohit Mehra. He rocks as Krrish. He’s very good as Krishna too but that’s more focused on the emotional scenes which if it had more variations then it would’ve been more impactful to the screenplay.
Priyanka Chopra is good but her character didn’t demand much. Vivek Oberoi was very inconsistent & the blame should go to the writers who didn’t shape up his character well. The better way to put is to say Vivek was under-utilized knowing his acting calibre. Rajpal Yadav was wasted. The Maanvars were again under-utilized, you wish there was more to them than what was shown.
This one actress deserve a special mention. Kangna Ranaut, she was just superb in every scene she featured in. It was a top notch performance to match the level created by Hrithik’s performance. Her role has more variations & she blended in perfectly in all of them.
Direction - Rakesh Roshan is old school. He was totally influenced by the 80′s films, the bad thing was that him being inspired both Western films & Indian films of the 80′s. His direction is same as that in Krrish but atleast it was somewhat effective compared to Krrish 3 despite being an average film.
VFX - It was good & bad. The good because few episodes were indeed very well crafted but most of the time it just didn’t give the feeling of anything close to be called a landmark. Atleast they should’ve concentrated more on the glass crystals while breaking all those glasses of several buildings. Too bad that we’ve seen too much of Hollywood’s superheroes flicks that these small things seems unacceptable.
Music - Good that it had only 3 songs in the film & the title track being played in the background during end credits. None of the songs are memorable. Raghupati Rajav, though easily forgettable has Hrithik & his dance moves as the sole saviour of it. God, Allah aur Bhagwan was used just to add a song straight after the interval. Since, the song follows an interesting fight sequence, there’s not much to complain. The duet featuring Hrithik & Kangna was simply outstanding, can’t say the same about the song. Rajesh Roshan is not in his form.
Special mention of audience response - 
Negatives :
The family which was sitting next to me, they called up their friends right after the show & told them to cancel the tickets. The person who seemed 40+ didn’t stop bashing the film on the phone but I moved on.
The kids in the back row were forcing their parents to leave right in between the climax.
Positives :
The crowd did cheer when Krrish arrives on the screen. Not everytime but in the key scenes the impact was there.
The crowd cheered when the kid asks Kaal ” Kyun Kaal? Phat gayee”.
I’m sharing this just to show that film didn’t go down well with the adults & even the kids seemed to get bored too. And as far as my rating goes, I believe I belong to the people aged between 20-30 & my adult self was disappointed by this film & the kid inside me wasn’t excited by Krrish 3. They needed “dimagwala filter” to save Krrish in the film, wish they had used it to save the film’s screenplay too.
My rating for the film would be 2/5.
There goes another superhero film from India which ends up being just another “attempt”

Boss - The first masala movie of 2013 that actually entertains!


Boss is a Bollywood Action-Masala film starring Akshay KumarMithu Chakraborty and Aditi Rao Hydari in key roles. It is apparently a remake of Malayalam film Pokkiri Raja starring Mammotty, Prithviraj and Shriya Saran.
Plot : Satyakant (Mithun Chakraborty) unknowingly kills a teenager and his eldest son, Boss (Akshay Kumar), takes the blame on himself. He is sentenced to jail. When he serves his time and is released, Boss moves to another city. Meanwhile, Satyakant’s younger son, Shiv (Shiv Pandit), bashes up the Home Minister’s son Vishal who is harassing Ankita (Aditi Rao Hydari), the sister of a top cop (Ronit Roy). All hell breaks loose at this point.
Review : The movie is very loyal to it’s Malayalam original Pokkiri Raja. The story is waferthin & emotional scenes dominates the screenplay. The film is all about our hero actually becoming a hero in the eyes of his beloved father. The first 20 minutes of the film is all about creating the right platform the grand entry of the Boss aka Akshay Kumar. The scenes are apt here & introduces the basic plot to the audience.
20 minutes into the movie Akshay Kumar literally takes over the film & wins over the audience. I, for one preferred Akshay’s entry to happen with that song first & then the action scene followed. It would’ve made 100% impact on me but still it succeeded in creating the right emotions. The entire first half runs in a brisk pace, no boring scenes whatsoever. Here, Akshay dances, Akshay mouths few punching dialogues, Akshay does comedy & right before the interval he performs well in the emotional scenes.
The second half, starts with an entertaining note but the pace falls especially with the songs. Although I don’t blame the placement of Party All Night song since it’s a chartbuster & it didn’t do much damage. The story takes the back seat here & there’s hardly anything happening in terms of screenplay so it’s again Akshay Kumar to the rescue here & the KHILADI moments in the second half really entertains & Akshay never fails in evoking the laughter. The climax, though entertains because of Akshay’s stunts but in real simply drags as it’s way too predictable.
The first half is high on entertainment & the second half drops but still has Akshay in it & he doesn’t stop entertaining.
Cast Performances - Akshay Kumar is the real BOSS & he entertains throughout. It’s been quite sometime since I saw Khiladi Kumar dance & it was worth it. And also it had been really long time Akshay actually lived up to his title KHILADI, some of the stunts really brought the 90′s memories. It was Akshay Kumar at his masala best.
Shiv Pandit was very average. The highlight of Pokkiri Raja was Prithviraj carrying the film on his shoulders ably till the megastar Mammootty takes over. Shiv lacked that quality & the romantic angle between him & Aditi just didn’t work despite them being picturised on one of the best songs in the film. Aditi Rao Hydari is glamorous but as far as her role goes, she had hardly anything to do. Mithun Da was first rate, not a challenging role for him. Danny Denzongpa was superb in his short role. Johnny Lever was completely wasted. Ronit Roy was perfect as the villain & till the end he gave a power-packed performance for that one-dimensional role. The rest of the cast were ok.
My Verdict : In short, it’s Akshay Kumar’s show all the way & this is the first masala movie of 2013 that actually entertains.
My recommendation : Give it a try! Its a must watch for Akshay Kumar Fans and a one time watch for others!
That .5 extra stars is for only for Khiladi Kumar & his way of entertaining.
My Rating : 3.5/5